Motivic Development

Music Composition

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Motivic Development In Music Composition

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Wikipedia: Motif (Music)   |   "In music, a motif or motive  (pronunciation) is a short musical idea,[1] a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition"   |  


Jazz Improvisation: Starting Out with Motivic Development (DVD)   |   "In this master class DVD, Berklee professor and saxophonist Ed Tomassi shows you how to build compelling improvisations out of just a few notes"   |  



Motivic Development & Saturation   |   Bach , The Baroque & Beyond   |   "Recognizing the motive as the basis for all composition, baroque theorists devised a system, known as loci topici, in which the various affetti (sadness, joy, passion, etc.) were associated with specific musical motives"   |  



TalkBass.com   |   Motivic Develeopment   |   The Elements of Form

Motivic development has primary importance in creating satisfying improvisations and compositions. In order to support this postulation, we need talk about form. Any creative work (be it music, architecture, or poetry) has a form or structure. This form is the product of three fundamental elements:
1. Repetition
2. Contrast
3. Development





The Art Of Motivic Through-Composition  01  -  02      |   ThePianist.com   |  

"
The Pianist.com is the place where pianists should feel at home. It is a journey in the world of pianists, musicians, composers who changed our lives and times. It is a compendium of articles, essays, reviews, interviews around topics related to the pianist. It is the “practice room”, where pianists can unleash the power of their dreams, wishes, questions, doubts, emotions, thoughts and afterthoughts about music.

Created by Roberta Pili, Italian pianist, author, producer, label owner, mentor for polyphonic and ultra-polyphonic piano education."




Motif  -  Music   |   absoluteastronomy.com   |   Very thorough introduction to music motifs and their use in melodic development  |  



Wapedia   |   Motif   |  




Guidelines For Composing   -   Dr Trevor Pearce is a composer and lecturer in composition at the Sydney Conservatorium  




Pre-compositional development of ideas   |   This section highlights the importance of having an underlying compositional idea and shows the following steps involved in the compositional process. 



Pitch and harmonic considerations
Motivic development
Rhythmic processes
Instrumentation and choice of ensemble
Expressive devices
Form and planning models


 













  
 

Composition  Process  Project
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2009 will add many new pages to this collection of music creation elements and ideas.  Each page explores ways to convert an idea into music.  Over time ,  this will become a music tools archive. 

 

12_tone absolute_music advice aesthetics
aleatoric music algorhythms ambient music antiphonal music
comp_architecture comp_arranging comp_articles comp_articulations
athematic_serialism comp_avantgarde comp_beginner comp_blocks_of_sound
comp_choral comp_chords comp_clusters comp_collaboration
comp_competitions comp_computer comp_conducting comp_counterpoint
comp_concepts comp_continuity comp_contrast comp_counterpoint_complex
comp_creative_process comp_dynamics comp_electronic comp_elements
comp_experimental comp_expression comp_faq comp_fluidity
comp_formal comp_forms comp_forums comp_game_music
comp_generative comp_group comp_harmonic_tension comp_harmonic_rhythm
comp_how_to_write_music comp_idee_fixe comp_improvisation comp_inspiration
comp_instrumentation comp_instruments comp_interfaces comp_intervals
comp_interactive comp_jazz comp_larger_forms comp_layers_of_sound
comp_libretto comp_loop_based comp_learning_process comp_melody_dissonances
comp_melodic_curve comp_melody_phrase comp_melody comp_melodic_development
comp_melody comp_mindmaps comp_methods comp_microtonal
comp_music_tutor comp_mono_thematicism comp_musical_forms comp_musicque_concrete
comp_modes comp_opera comp_orchestration comp_pitch_classes
comp_parallel_intervals comp_parameters comp_part_writing comp_process
comp_pointillism comp_precomp comp_performance_skills comp_rules
comp_real_time comp_recomposition comp_register_shifts comp_resources
comp_rhythm_creation comp_scoring comp_scales comp_serialism
comp_silence comp_software comp_sound_design comp_structure
comp_sound_junctions comp_soundscapes comp_strategies comp_studio
comp_synthesis comp_schools comp_tutorials comp_techniques
comp_textbooks comp_tape comp_tension_and_release comp_textures
comp_theory comp_software comp_tips comp_time_factor
comp_timbre comp_techniques comp_timbre comp_tonality
comp_tools comp_transitions comp_unusual_meters comp_unity
comp_videos comp_vocal comp_writers_block comp_workshop
comp_zines


   
 
 



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