Composition:

Creative Process

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Creative Process In Music Composition




What Are The Thoughts , Patterns , Ideas ,  Music Language , Forms , Feelings ...etc  
That Create The structure & Music Flow Of Your Composition?





music composition





Wikipedia:  Music Composition
"Musical composition is: an original piece of music; the structure of a musical piece; the process of creating a new piece of music"


Wikipedia:  Process Composition
"Process music or systems music is music that arises from a process , and more specifically, music that makes that process audible.  The term predates and is often used synonymously ..."



 


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Collaboration and the Creative Process (Music and Technology): Research Report  |  From English 194 Wiki Site  |  By Dan Hawley



WikiHow  -  How To Compose Music   |   3 methods of approaching music creation are offered, each with 6 - 14 steps


The Creative Personality:  Ten paradoxical traits of the creative personality  |   psychology today.com  |  "Creativity is a central source of meaning in our lives. Most of the things that are interesting, important, and human are the result of creativity."  |  


Composers Corner   |   A gathering place for contemporary composers and a resource for those attempting to expose their work to the world  |  "Learn how to write a song. How to make a living with your music. Learn from the pros.   The Composers Corner is designed to inform, educate, entertain, and inspire. It's a place where students, aspiring musicians, and fans can learn about music


Julliard edu   |   Bringing Back The Composer-Pianist   |  


Composer As Performer    -    I Write The Music




You Have The Power To Make Music Evolve 

New Scientist






Danlee Mitchell:


Elements Of Music -Part 01  -   Preliminary Ideas   -   Language & Terminology of Music   -   Transmission of Sound   -   Measurable Characteristics of Sound   -   Amplitude   -   Timbre   -   Harmonic Series   -   Basis of Intervals, Melody , Harmony & Timbre   -   Harmonic Profile , Voice Print ,  Sound Signature   -   A Definition Of Music  


Elements Of Music -Part 02  -   Music As Motion   -   Notation:  Basic Elements Of Music   -   Meter   -   Time Signature   -   Tempo  


Elements Of Music -Part 03  -   Rhythm   -  Accent   -   Melody   -   Melodic Curve   -   Melodic Range   -   Tonality   -  


Elements Of Music -Part 04  -   Major & Minor Scales   -   Melodic Movement:  steps & leaps   -   Chromaticism  -   Modulation   -   12 tone  melodies   -   Melody is the Idea (subject) of Music   -   Harmony   -   Chord   -   Arpeggio   -   Accompaniment   -   Homophonic   -   Dissonant Chords   -   Chord Progressions   -   Triads   -   7th,  9th 11th , 13th chords   -   Counterpoint   -   Major Minor Tonal System   -   General Interval Distances   -   Specfic Interval Distances   -   Triad Qualities   -   Extended Harmony   -  Consonance   -   Dissonance    -    Tonal Center   -   Keynote   -   Tonic Chord   -   Dominant Chord   -   Subdominant Chord   -   Chord Resolution   -    Cadences   -   Full Cadence   -   Secondary Attractions  


Elements Of Music -Part 05   -   Funtional Harmony   -   Diatonic Harmony   -   Modulation   -   Chromaticism   -   Strophic Songs   -  Dynamics   -   Dynamic Accents   -   Italian Expression Terms  -   Timbre   -   Instruments   -   Strings   -   Woodwinds   -   Brass   -   Percussion   -   Instrument Classifications   -   Ideophones   -   Membranophones   -   Aerophones   -   Chordophones   -   Electrophones   -   Phrase   -   Motive   -   Sections   -   Labeling form with capital letters    Ex; ABA Form   -  

Fundamental Level of Music Making: Meter, Tempo, Rhythm, Melody, Harmony, Dynamics, Timbre, Instrument(s) 

Mid-Level Music Making: Three Foundational Procedures: Repetition, Variation, Contrast  

Basic Patterns of Repetition, Variation, and Contrast  


Elements Of Music -Part 06   -   Vocal Media   -   Instrumental Media   -   Mixed Vocal & Instrumental   -   Music Genre   -   Instrumental Genres   -   Vocal Genres   -   Musical Form   -   Texture   -   Monophony or monophonic Texture   -   Polyphony or polyphonic texture   -   Textures of Non-Western Music    - Antiphony & Heterophony   -    Titles Of Music Compositions   -   Interpretation In Music 

Four Combinational Operations of Music: Media, Genre, Form, Texture  At the highest "level" of compositional thinking a composer begins a composition with Four areas of composition that must be determined: (1) the instrumental and/or vocal combinations that will be employed (media), (2) the basic model of composition that will be used throughout the work (genre), (3) the large and small sectional units of the composition including in some cases the entire composition (form) and (4) The (texture(s) of the work.


Compositional  Titles:   Mass, Cantata, Fanfare, March, Dance   -   Theme and Variations, Fugue, Passacaglia, Canon, Rondo  -  Symphony, String Quartet, Woodwind Quintet, Piano Trio   -   Concerto Grosso, Canzona, Toccata, Prelude, Sonata, Hymn -






The Creative Processes Of Music Composition   -   binnsmusic.com   |   Introduction   -   Creative Processes   -   Types Of Composers  -  Music & Analysis  -  About The Composers   -   Composers Forum   -   Compositional Tools   -   Music Links   -   Glossary 



Creative Process Free Music Composition Software   |   softlist.net    |     30+  music creation downloads   | 


Collaboration and the Creative Process (Music and Technology): Research Report

   -   by Dan Hawley  







   





 
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Hearing and Writing Music - Author: Ron Gorow
Review By Bernard Brandt

   "Hearing and Writing Music", by Ron Gorow, is a superb book. It makes a simple and elegant presentation of the internal process by which we hear sounds and music, how we recognize intervals, chords, melody, harmony, counterpoint, and the timbre of instrumentation/ orchestration, how we can develop the skills of listening, auditory memory and imagination, and how to use these skills to hear and to write down music of any sort. 

   The hallmark of an expert is the ability to explain the basics of his field as simply as possible. By that standard, Mr. Gorow has proven his expertise in this book. I note that the other reviews, both for Amazon and in musical journals, tend to limit the importance of "Hearing and Writing Music" to ear training. I believe that Mr. Gorow's book is valuable for much more than ear training. I have studied it, and as a result of that study, I believe that my auditory memory and imagination and my abilities in score reading have improved enormously. 

   Further, I have been able to use the skills in this book to transcribe melodies, harmonies and counterpoint almost effortlessly, both those that I have heard, and those which existed only in my imagination. This book has opened many doors for me. I believe that it can do so for many others. 

   On a personal note, for the last 30 years, I have been able to hear and compose music in my imagination. Unfortunately, I have been almost exclusively self-taught, and I despaired of ever being able to write down what I heard. Mr. Gorow's book, and my use of it, has changed all that. I have just completed the first movement of a symphonic tone poem, and I intend on continuing to compose for the rest of my life. 

   I have studied many books on music theory, and have listened to and studied many pieces of music. If I may make an analogy, my studies had formed the equivalent of a crystalline solution. "Hearing and Writing Music" was the equivalent of a seed crystal, which put everything into order, and transformed me from a listener to a composer. 

   I cannot recommend it highly enough for those who wish to become songwriters, arrangers, or composers, or those who wish to improve their skills.

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